Vermont Humanities
an old photograph of a glass ballot box, a glass orb in a wooden frame with an opening at the top.

The Glass Ballot Box and Political Transparency, 1856-2026

In response to concerns about election tampering in the 1850s, New Yorker Samuel Jollie proposed a novel solution: a ballot box made of glass. Emphasizing glass’s transparency and purity, Jollie suggested that his box would ensure fair and just elections.

Emma Adele Myrick Buck (1850-1928), Floral hair wreath, ca. 1865-1870. Human hair, wire, beads, and ribbon in gilt and glass frame

Vermont Hairwork: Connecting Past and Present

Nineteenth-century Americans often saved or exchanged locks of hair, constructing jewelry or keepsake wreaths of their kinship networks. Delicate braids of hair also interlace to frame the famous silhouette of Charity Bryant and Sylvia Drake. In more recent decades, hair has become a powerful political medium.

Two cartoon women - Charity and Sylvia - do sewing work before a fireplace

Pins and Pies, Linens and Lamps: Imagining the World of Charity & Sylvia

The publication of Tillie Walden’s recent graphic novel Charity & Sylvia–and its selection as the 2026 “Vermont Reads”–was a wonderful impetus for the Henry Sheldon Museum to rethink how we might feature the story of Charity Bryant and Sylvia Drake in the museum galleries.

Cover image of Phantom Border book that shows two metal sculputers, one man, and one woman, being separated by the book title

Phantom Border: A Personal Reconnaissance of Contemporary Germany

Vermont author Kerstin Lange considers the 870-mile-long border—now a unique nature preserve called the Green Belt—that divided her native Germany during the Cold War. Over 1200 rare animal and plant species found refuge in the highly militarized border strip.

Picture of the removal of a bronze Confederate statue as two men in safety equipment attach a crane to the statue arms.

Public Art, Monuments, and What We Choose to Remember

Join artist and educator Jen Berger for a presentation that places monuments within the broader field of public art, examining how objects in shared space shape memory, belonging, and power, and how monuments, often permanent and officially sanctioned, are mistaken for neutral history.

Part of a broadside printing of the poem Calling with a black and white image of a man speaking into a megaphone with swirls of sound and light as a dove flies by.

CALLING: Reclaiming Shared Humanity in America’s 250th Year

CALLING is a participatory, interdisciplinary humanities offering that invites communities to reflect, create, and reimagine what it means to be American at the threshold of our nation’s 250th anniversary.

A cartoon of a man giving a presentation to a large audience of different people and animals

Picturing Language: An Introduction to the Magic of Comics

In this lively, hands-on presentation, participants will be introduced to the fundamentals of cartooning as both an art form and a communication tool. Drawing on the past, present, and future of the medium, the session expands how we think about comics—not just as entertainment, but as a flexible language capable of conveying complex ideas with clarity and emotional impact. No prior drawing experience required!

Man giving a talk in a bike shop

Communicating Across Differences, in Our Families and Communities

Join Will Eberle as he helps individuals and communities identify the lingo and phraseology that so often “triggers” people of differing viewpoints and prevents real communication and understanding.

A group of National Guard members march in a field with the rocky mountains in the background

Our Guard, Our Voice: Vermonters Discuss the Future of Deployment

This project will bring together Vermonters from across the state to discuss the founding principles and future of the Vermont National Guard, its relationship to the U.S. Constitution, and criteria for deployment to combat around the world. Veterans, service members, and their family members are particularly encouraged to participate in this discussion.