Vermont Humanities

Vermont Hairwork: Connecting Past and Present

Emma Adele Myrick Buck (1850-1928), Floral hair wreath, ca. 1865-1870. Human hair, wire, beads, and ribbon in gilt and glass frame
Speakers Bureau

Nineteenth-century Americans often saved or exchanged locks of hair, constructing jewelry or keepsake wreaths of their kinship networks. Delicate braids of hair also interlace to frame the famous silhouette of Charity Bryant and Sylvia Drake. In more recent decades, hair has become a powerful political medium. Middlebury professor Ellery Foutch shares research about hair-based works in local collections and explores the meanings of hair in American culture, past and present.

Photo of Emma Adele Myrick Buck (1850-1928), Floral hair wreath, ca. 1865-1870. Human hair, wire, beads, and ribbon in gilt and glass frame, 21 x 19 x 3 in. Henry Sheldon Museum, Middlebury, VT. Gift of Media Buck, 1937.003.

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About the Speaker

Ellery Foutch

Ellery Foutch

Ellery Foutch is an Associate Professor in the American Studies Program at Middlebury College, where she teaches classes on the art and material culture of the United States, as well as critical museum studies. Her new book, A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (University of Minnesota Press, July 2026) explores period fascinations with perfection and its preservation across art, natural history, popular culture, and museum exhibition practices.

Talks by the Speaker

Two cartoon women - Charity and Sylvia - do sewing work before a fireplace

Pins and Pies, Linens and Lamps: Imagining the World of Charity & Sylvia

The publication of Tillie Walden’s recent graphic novel Charity & Sylvia–and its selection as the 2026 “Vermont Reads”–was a wonderful impetus for the Henry Sheldon Museum to rethink how we might feature the story of Charity Bryant and Sylvia Drake in the museum galleries.

an old photograph of a glass ballot box, a glass orb in a wooden frame with an opening at the top.

The Glass Ballot Box and Political Transparency, 1856-2026

In response to concerns about election tampering in the 1850s, New Yorker Samuel Jollie proposed a novel solution: a ballot box made of glass. Emphasizing glass’s transparency and purity, Jollie suggested that his box would ensure fair and just elections.

Emma Adele Myrick Buck (1850-1928), Floral hair wreath, ca. 1865-1870. Human hair, wire, beads, and ribbon in gilt and glass frame

Vermont Hairwork: Connecting Past and Present

Nineteenth-century Americans often saved or exchanged locks of hair, constructing jewelry or keepsake wreaths of their kinship networks. Delicate braids of hair also interlace to frame the famous silhouette of Charity Bryant and Sylvia Drake. In more recent decades, hair has become a powerful political medium.

Vermont Humanities*** July 7, 2026