Vermont Humanities

Pins and Pies, Linens and Lamps: Imagining the World of Charity & Sylvia

Two cartoon women - Charity and Sylvia - do sewing work before a fireplace
Speakers Bureau

 

The publication of Tillie Walden’s recent graphic novel Charity & Sylvia–and its selection as the 2026 “Vermont Reads”–was a wonderful impetus for the Henry Sheldon Museum to rethink how we might feature the story of Charity Bryant and Sylvia Drake in the museum galleries. While we’ve long treasured the Charity and Sylvia archives– their letters, poems, diaries, and the like– their story hasn’t been visible in the museum itself. In curating Drawing on the Archive, we built a collaborative curatorial team where Tillie Walden’s contemporary illustrations could converse with 19th century objects and archival materials, and interpretation was shared among museum staff and community curators.

Henry Sheldon Museum Executive Director Coco Moseley and Middlebury College Associate Professor Ellery Foutch share their stories behind the making of the new exhibition “Drawing on the Archive: Tillie Walden’s Charity & Sylvia.”

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About the Speakers

Headshot of Coco Moseley. A middleaged, white woman with brown hair smiles while standing in front of autumn leaves. She wears a grey sweater with yellow striped sleeves.

Coco Moseley

Coco Moseley is the Executive Director of the Henry Sheldon Museum in Middlebury. Since beginning this role in 2023, she has worked alongside the staff, board and community to reimagine the Sheldon Museum as a place where stories, history and art can inspire visitors today.

Ellery Foutch

Ellery Foutch

Ellery Foutch is an Associate Professor in the American Studies Program at Middlebury College, where she teaches classes on the art and material culture of the United States, as well as critical museum studies. Her new book, A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (University of Minnesota Press, July 2026) explores period fascinations with perfection and its preservation across art, natural history, popular culture, and museum exhibition practices.

Talks by the Speakers

Two cartoon women - Charity and Sylvia - do sewing work before a fireplace

Pins and Pies, Linens and Lamps: Imagining the World of Charity & Sylvia

The publication of Tillie Walden’s recent graphic novel Charity & Sylvia–and its selection as the 2026 “Vermont Reads”–was a wonderful impetus for the Henry Sheldon Museum to rethink how we might feature the story of Charity Bryant and Sylvia Drake in the museum galleries.

an old photograph of a glass ballot box, a glass orb in a wooden frame with an opening at the top.

The Glass Ballot Box and Political Transparency, 1856-2026

In response to concerns about election tampering in the 1850s, New Yorker Samuel Jollie proposed a novel solution: a ballot box made of glass. Emphasizing glass’s transparency and purity, Jollie suggested that his box would ensure fair and just elections.

Emma Adele Myrick Buck (1850-1928), Floral hair wreath, ca. 1865-1870. Human hair, wire, beads, and ribbon in gilt and glass frame

Vermont Hairwork: Connecting Past and Present

Nineteenth-century Americans often saved or exchanged locks of hair, constructing jewelry or keepsake wreaths of their kinship networks. Delicate braids of hair also interlace to frame the famous silhouette of Charity Bryant and Sylvia Drake. In more recent decades, hair has become a powerful political medium.

Vermont Humanities*** July 7, 2026