
Rick Winston
Rick has taught film history at Burlington College, Community College of Vermont, Goddard College, and the Osher Lifelong Learning Institute.


Classical music has been used to enhance many of our favorite films. Some examples are Robert Schumann’s Piano Quintet in Ingmar Bergman’s “Fanny and Alexander”; Samuel Barber’s “Adagio for Strings” in Oliver Stone’s “Platoon;” Franz Schubert’s Piano Trio in Stanley Kubrick’s “Barry Lyndon;” and Benjamin Britten’s “A Young Person’s Guide to the Orchestra” in Wes Anderson’s “Moonrise Kingdom.”
Join Rick Winston as he explores how music makes these films, and experience clips from these films and others.
Mileage
Travels with projector and computer, but needs a screen
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Contact Jacob Pelletier at jpelletier@vermonthumanities.org.

Classical music has been used to enhance many of our favorite films. Join Rick Winston as he explores how music makes these films, and experience clips from these films and others.

From “Birth of a Nation” to “Gone With the Wind,” harmful stereotypes of Black life were the rule in Hollywood. After World War II, there was some progress in showing a more realistic picture on the screen, due to the efforts of younger, more progressive Hollywood screenwriters – many of whom wound up on the Hollywood Blacklist.

Filmmakers have tackled issues of displacement, discrimination, exploitation, and assimilation in movies like Mississippi Masala (about Indians in the Deep South), The Other Side of Hope (Syrians in Finland) and Dirty Pretty Things (West Africans in London.) Film history expert Rick Winston shares clips from fifteen works that address one of the most pressing issues of our times.